My short story, ‘More Than Not Sweeping,’ is published today in Entropy Magazine: Behind us there were sand dunes, and…
Creative Essay, ‘Counting the Bodies’, published in The London Magazine
Delighted to share that The London Magazine has published my personal essay about the rather vexed relationship between me, my…
‘You Can’t Eat Words’: Creative Essay published in Gertrude Journal
I’m delighted that my creative essay, which looks, amongst other things, at queerness, wearing ‘toddler’ outfits in your thirties, the…
Short Fiction in 3:am Magazine, The London Magazine, and A Queer Anthology of Wilderness
Here are a few pieces of short fiction I’ve had published, in descending order of recent-ness. Exnamuh – 3:AM Magazine…
Nothing To Report: my response to Influx/Picador’s ‘Strange Stories for Strange Times’
I don’t know about you, but I’m exhausted. I’m exhausted with trying to work out what day it is. I’m…
Workshops at Leeds Lit Fest 6 March
I’m excited to be part of Leeds Lit Fest this year. I’ll be leading two workshops this Friday (6th March,…
Word Factory Salon & Other Autumn Events
I’m delighted to be speaking alongside Cynan Jones at the Word Factory September Salon. Join us on 14th September at…
How the Light Gets In longlisted for Edgehill Prize 2019
I’m delighted to announce that How the Light Gets In has been longlisted for the 2019 Edgehill Prize, alongside 11…
The Personal is Structural: My Lithub Essay about Women, Writing and Failure
All the Good Things was recently published in the US by Europa Editions, and as part of the publicity, I…
How the Light Gets In longlisted for the 2019 Dylan Thomas Prize
Absolutely thrilled that my short story collection, How the Light Gets In, has made the 2019 Dylan Thomas Prize Longlist.…
Clare Fisher 